Dr. Robert Sazdov will be coordinating and presenting the first 60×60 Europe Mix. Submissions due 31st of May. For more information: http://www.60×60.com/calls/
Dr. Robert Sazdov will be coordinating and presenting the first 60×60 Europe Mix. Submissions due 31st of May. For more information: http://www.60×60.com/calls/
Dr. Robert Sazdov’s composition “DEVA 21.09” will be performed at Days of Macedonian Music 2012, 9pm Friday 30 March, Museum of the City of Skopje, Macedonia
Venue: Ormston House, 9-10 Patrick Street and Milk Market, Cornmarket Row.
Friday March 30th, noon – 9.00pm
During his talk Sciajno will explore the actual limits and the hidden potential of the present-day electronic sound production and composition in that peculiar area where borders between the academic and the non-academic scene are weaker.
The Contemporary Music Centre presents its annual student New Music Marathon in DIT Conservatory of Music and Drama.
Wednesday March 21st 2012 2.30p.m. Computer Science Auditorium (CSG-01) TOE (Theory of Everything) is a live electronic work by ‘As Good as it Gets’ which is a duo consisting of Lars Bröndum and Sten-Olof Hellström. SyntJuntan, Ann Rosén and Lise-Lotte Norelius + possible student collaborators.
Tuesday March 20th 2012, 10.30a.m. Music Technology Lab (CSG-13) Wednessday March 21th 2012, 10.00a.m. Music Technology Lab (CSG-13) Lars Bröndum, PhD, is a composer, performer of live-electronics, theorist and guitarist. His music has been performed in Sweden, Japan, Scotland, Lithuania, Latvia, England, USA, Spain and Mexico and has been broadcast on radio and webradio in Germany, England,…
Tuesday 20th March 2012 2.00p.m. I-Media Lab (CS2-46) Syntjuntan is an ensemble of female Composers, musicians and instrument builders. The founders started synth junta to meet women’s Curiosity for technology and electronics, to Encourage Them to build instruments and Other Means to Facilitate Their own experimentation. Syntjuntan want to help women Have better self-esteem, so…
For more information on this four year undergraduate course, please click here.
Approaching sound as a process, rather than as data is the essence of Procedural Sound which has applications in video games, film, animation, and media.
Andy will be presenting a lecture and workshop where students can understand and create sound effects starting from nothing.