CSIS Design, Art and Technology Seminar Series 2018 – 14/02/18 – GASH COLLECTIVE

CSIS Design, Art and Technology Seminar Series 2018 we are pleased to announce the talk by the GASH COLLECTIVE.
Everyone is welcome.
 

Details:
Speaker: Laura O Connell / Ellen King
Date: Wednesday Feb 14th 3-4.30pm
Venue: CSG001
GASH COLLECTIVE acts as  platform to encourage women to create, share and collaborate together in the field of electronic music in Ireland. Through safe space initiatives, carefully curated parties and events, as well as production and DJ workshops, GASH intends to shine a light on female identifying producers and DJs in Ireland.GASH COLLECTIVE was founded on International Womens Day 2016. Inspired by Female:Pressure’s VISIBILITY project and like minded collectives such as SIREN London and DISCWOMAN NYC.

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DMARC Seminar – Whats the Score – Film and Improvisational Electronics – Wends Nov 15th @ 3pm

Neil O Connor will host as part of the DMARC Seminar series entitled Whats the Score – Film and Improvisational Electronics in which he shall  discuss his musical work for the visual medium. I will also be performing a live score to Chris Markers seminal 1962 Sci-Fi short film La Jetee. Constructed almost entirely from still photos, La Jetee tells the story of a post nuclear war  experiment in time travel. It is 28 minutes long and shot in black and white. The 1995 science-fiction film 12 Monkeys was inspired by and borrows several concepts directly from the film. 

Wends Nov 15th @ 3pm – CSG001

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Sounding Out The Space – An International Conference on the Spatiality of Sound

DMARC members Mikael Fernstrom and Neil O Connor present papers and Octophonic electro-acoustic works at Sounding Out The Space. This conference is hosted by DIT Conservatory of Music and Drama, the Dublin School of Creative Arts and GradCAM. It is generously supported by the Society for Musicology in Ireland (SMI), the Contemporary Music Centre (CMC), the Lewis Glucksman Gallery, the Solstice Gallery, the Spatial Music Collective and the Irish Sound Science and Technology Association.

 

The Curious Hand – Guardian Review

CSIS Music Technology Masters graduate Seamus Fogarty’s new electronic folk music album The Curious Hand has received numerous excellent reviews this month with both a five and a four start review from The Guardian:

Contemporary Music Centre – Preview new 8 Channel works by Neil O Connor

Neil O’Connor recently attended a two-week composer residency at the Conservatory of Music, Seia in Portugal. The residency was funded by the Arts Council and the Dublin-based composer worked on a number of 8 channel electro-acoustic pieces during his time there. He spoke to CMC about the residency.

Read more here – https://www.cmc.ie/news/150917/neil-oconnor-attended-arts-council-funded-composer-residency-portugal

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Lightmoves – Festival of Screendance – 2-5th November 2017

Lightmoves presents feature screenings, short films, invited works and open submissions, as well as a Screendance Lab and Symposium with some of the most respected figures in the field. The Light Moves Screendance Symposium encourages artistic and scholarly exchange, debate and discussion in screendance and related disciplines including performance, dance, film, visual arts, sound/music and text.

Lightmoves is curated by DMARC faculty Jürgen Simpson and Mary Wycherley and produced by Dance Limerick, in partnership with DMARC (Digital Media and Arts Research Centre) at University of Limerick. The festival is supported by the Arts Council, Limerick City and County Council and the JP McManus Fund.

More info here – http://www.lightmoves.ie/

Talk & Concert: Miller Puckette

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DMARC welcome Professor Miller Puckette for a talk and concert on April 3rd, details below.

 

Talk: Limitations of Computers as Musical Tools
Professor Miller Puckette
3-4pm, CSG01 Computer Science Building, University of Limerick, Monday, April 3rd
Free and open to the public.

 

Concert: Hocket Pagan
Miller Puckette and Kerry Hagan
8-9pm, Ormston House, 9-10 Patrick Street, April 3rd
Open to the public. Free admission

 

Talk Details
Theoretically, a computer can generate any sound that a loudspeaker can emit. But anyone who has tried to use a computer to realize a piece of music has learned that there is always a gulf between the desired outcome and what we can actually get.  The problem is in part the still-primitive state of the software we use to get music out of computers.  Existing software paradigms such as DAWs, notation editors, and real-time performance systems are based on particular sets of assumptions about how music is or should be made.  A careful look at these assumptions, and the limitations they impose on our efforts to make better computer music software, offers some clues as to what we might want to try next.


Concert Details
Miller Puckette and Kerry Hagan present Hocket Pagan, an evening of live music for instruments, interfaces and electronics. Over the last few years, Puckette and Hagan have been working together to develop live performance systems for computer, electronics, interfaces and instruments. This concert will showcase new works by the duo. One featured work is “Hack Lumps”, premiered recently in New York City. This performance will be the European premiere.

Bio: 
Miller Puckette obtained a B.S. in Mathematics from MIT (1980) and Ph. D. in Mathematics from Harvard (1986) where he was a Putnam Fellow. He was a member of MIT’s Media Lab from its inception until 1987, and then a researcher at IRCAM (l’Institut de Recherche et de Coordination Musique/Acoustique), founded by composer and conductor Pierre Boulez. At IRCAM he wrote Max, a widely used computer music software environment, released commercially by Opcode Systems in 1990 and now available from Cycling74.com .

Puckette joined the music department of the University of California, San Diego in 1994, where he is now professor. From 2000 to 2011 he was Associate Director of UCSD’s Center for Research in Computing and the Arts (CRCA).

He is currently developing Pure Data (“Pd”), an open-source real-time multimedia arts programming environment. Puckette has collaborated with many artists and musicians, including Philippe Manoury (whose Sonus ex Machina cycle was the first major work to use Max), and Rand Steiger, Vibeke Sorensen, and Juliana Snapper. Since 2004 he has performed with the Convolution Brothers. In 2008 Puckette received the SEAMUS Lifetime Achievement Award.

Questions or more information, contact Kerry Hagan, email hidden; JavaScript is required

Talk: Spatial Audio and Live Performance Systems Design

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POSTPONED

Friday February 10th 4pm
Computer Science Auditorium (CSG-01)

Dr Graham’s Talk has been rescheduled to Wednesday 22nd Feb at 3pm. Apologies for any inconvenience.

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Richard Graham will present his most recent performance system for multichannel guitar and his ambisonics library for Pd and Max/MSP. Graham will also discuss his general approach to performance systems design, with a specific focus on feature extraction, mapping strategies, and the application of physical models for spatialization in VR.

Short Bio:
Richard Graham is a guitarist and computer musician from Northern Ireland. He has performed across the U.S., Asia, U.K., and Europe, including festivals and conferences such as Celtronic and the International Symposium on Electronic Art. He has composed music for British and American television, recorded live sessions for BBC radio, and his music has been authored for the popular video game, Rock Band.